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Predictive Analytics World is a series of conferences around the world that are focused on analytics. Each event in each different city is focused on its own theme. For example, in Chicago there are two simultaneous events: one focused on manufacturing and one focused on business. In Washington, D.C., the conference is focused on how government agencies use data analysis. Many of the other conferences are focused on business in general and can appeal to anyone interested in learning more about data analysis and upcoming trends in predictive analytics.

Predictive Analytics World

While this is a single blog post rather than an ongoing publication, I still think worth including here as a helpful resource. I get asked about my favorite Excel tips all the time, so I finally decided to compile some of the most common ones into a single blog post listing 14 simple Excel shortcuts, tips, and tricks.

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The simulator will let you choose among the most popular actions with credit limits, payments, and public records to see if your credit score will go up or down. A credit score comparison that lets you compare your credit score to other consumers in a similar demographic. If you’re new to Credit Karma, you can sign up to receive a free credit score in less than two minutes. After you’ve signed up, you can continue to view your credit report and credit score for free every day. Your credit score is refreshed daily and your credit report is refreshed weekly.

Credit Report Card

The Credit Report Card gives you a letter grade A-F in the following areas: Overall, Utilization, On-Time Payments, Average Age of Open Accounts, Total Accounts, Hard Inquiries, and Derogatory Marks. These grades can help you evaluate the areas, if any, that are hurting your credit score. If you're working to improve your credit score, you know exactly which area to focus on.

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In addition to credit score information, you can also find details about your debt accounts, including the amount your balances increased or decreased since your last update. Credit Karma can also recommend the credit cards you're most likely to be approved for based on your credit standing. Other Credit Karma users who've applied for those credit cards list their credit scores and whether they were approved. That information gives you

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In the ten years since Credit Karma's launch in 2008, it has evolved from a website to check your credit score to a tool to help you improve your credit—and help you assess your debt. It's free and the information is invaluable. When you visit the site, just make sure you've typed the URL correctly. Look for a lock next to the URL at the top of your browser and check to see that the URL begins with "https://". The "s" is your sign that you're visiting a secure website.

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I love serving my grass cutting customers in Stone Oak Texas. People in Stone Oak understand the value and understand quality when it comes to finding a reliable and affordable grass cutting service. I have been building up my lawn maintenance clientele in North San Antonio and every time I pick up a new grass cutting customer on GreenPal that lives in Stone Oak I get excited because I'm trying to build up more of my lawn maintenance route in that part of town. I currently have 12 lawn maintenance clients in the Stone Oak area and I'm trying to build that up to over 30 lawns to mow this year. So that means that you'll get my best lawnmowing price when you sign up for your grass cutting prices through GreenPal and I am happy to submit that to you. Included in my landscape maintenance price that you receive on GreenPal is a weekly grass cutting or every two-week lawnmowing.

Some folks in Stone Oak ask me if I can come every three weeks or once a month and unfortunately the reality is that that's just too long to go between grass cuttings to get reliable smooth yard maintenance service. If you want a reliable lawnmowing company you really need to book them for every seven-day grass cutting or at a minimum every 14-day lawnmowing. The summers in Stone Oak and in the North San Antonio area are just so hot and then we get enough rain for the grass grow so vigorously that by the time you come back tomorrow a client’s yard in 14 days sometimes the grass can be almost knee-high, and then you can imagine every three weeks or heaven forbid every four weeks the grass can be so overgrown that the yard and turf is not manageable. This is what I'm trying to prevent when I persuade my clients to sign up for every seven-day lawnmowing's because beyond that it's very hard to keep the yard in good shape and you don't want to pay at tallgrass surcharge just because you're trying to save money on every three-week lawnmowing. So take my advice if you hire me to cut your grass or whoever you hire to mow your yard on GreenPal just keep in mind that it's best to get set up on a smooth weekly lawn maintenance cycle or every two-week grass cutting schedule. So all that being said I want to say thank you so much for considering my yard maintenance company in Stone Oak Texas no matter if you live over by Canyon Ridge Elementary School or in The Terraces at Encino Park in Stone Oak I can fit you in on Tuesdays Wednesdays and Thursdays of every week as that is when I'm in the Stone Oak neighborhood cutting grass. Thank you so much and I look for forwarding to meeting with you and providing you with consistent quality lawnmowing services this year.

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Black-figure pottery

Black-figure pottery, type of Greek pottery figure that originated in Corinth c. 700 BCE and continued to be popular until the advent of red-figure pottery c. 530 BCE. In black-figure painting, figures and ornamentation were drawn on the natural clay surface of a vase in glossy black pigment; the finishing details were incised into the black. The first significant use of the black-figure technique was on the Proto-Corinthian style pottery developed in Corinth in the first half of the 7th century BCE. The Corinthian painter’s primary ornamental device was the animal frieze. The Athenians, who began to use the technique at the end of the 7th century BCE, retained the Corinthian use of animal friezes for decoration until c. 550 BCE, when the great Attic painters, among them Exekias and the Amasis Painter, developed narrative scene decoration and perfected the black-figure style. Outside Corinth and Athens, the most important studios producing black-figure ware were in Sparta and eastern Greece.

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• Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Greek, μελανόμορφα, melanomorpha) is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BC, although there are specimens dating as late as the 2nd century BC. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style.

  
  

  
  

  Athena wearing the aegis, Attic black-figured hydria by the potter Pamphaios (signed) and the Euphiletos Painter, c. 540 BC. Found in Tuscania, now in the Cabinet des Médailles, BNF, Paris

  
  

  A scene from a black-figure amphora from Athens, 6th century BC, now in the Louvre, Paris

  Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan market. Greek black-figure vases were very popular with the Etruscans, as is evident from frequent imports. Greek artists created customized goods for the Etruscan market which differed in form and decor from their normal products. The Etruscans also developed their own black-figure ceramic industry oriented on Greek models.

Terracotta was also popular in sub-Saharan African sculpture: it was first developed by the mysterious Nok culture of Nigeria, about 1000 BCE, and by the Igbo culture of eastern Nigeria. It was also a feature of Pre-Columbian art, beginning with the Olmec culture (1000-500 BCE).


Following the collapse of the Roman Empire (c.450), the use of terracotta declined dramatically. It wasn't until the Early Renaissance that it was properly revived as an artistic medium. Donatello and Lorenzo Ghiberti were among the first Renaissance sculptors to rediscover the potential of terracotta for making images of Christian art (notably that of the Virgin and Child): a discovery which came about through their close knowledge of bronze sculpture - the use of clay being central to the production of bronze statues. Before long, clay was being molded to replicate devotional images, and other figures, which were then fired, painted and gilded, thus creating a low-cost alternative to more expensive materials, like marble and bronze. Other artists, including the Della Robbia family, popularized the use of glazed terracotta for relief sculpture and church altarpiece art. See, for instance, the pulpit reliefs for Santa Croce in Florence (1481), by the Florentine artist Benedetto da Maiano. For more details of the Della Robbia, see works by Luca Della Robbia, as well as his nephew Andrea Della Robbia. Terracotta was also used in Renaissance portrait art, as exemplified by the wonderful Bust of Cardinal Giovanni de' Medici (later Pope Leo X) (c.1512, Victoria and Albert Museum) by Antonio de' Benintendi. Terracotta models were also used by most sculptors when submitting designs, or when creating studies for larger sculptures or for paintings. Paleolithic terracotta figures were fired in primitive kilns, created underneath open fires.

In short, Renaissance sculpture re-established terracotta as a major medium of artistic expression and creativity. During the era of Baroque sculpture, the tradition was further developed by Bernini (1598-80) and Alessandro Algardi (1598-1654), notably in the area of relief sculpture and portrait busts. During the 18th century, terracotta was explored for its decorative qualities, while the great Antonio Canova (1757-1822) continued to use it for models until he replaced it with plaster in the early 19th century.

Use of Terracotta in Architecture

During the 1860s in England and the 1870s in America, architects began using unglazed terracotta to decorate the exterior surfaces of buildings. It was used, for instance, on a number of buildings in Birmingham; on the elaborate terracotta facade of the Natural History Museum, in London; the Victoria and Albert Museum (1859–71); and the Royal Albert Hall (1867–71). Earlier, in 1842-45, St Stephen and All Martyrs' Church, at Lever Bridge in Bolton had been built almost entirely from terracotta. Curiously, terracotta received approval as a building material from the Arts and Crafts movement, since it was deemed to be a handmade material, designed by craftsmen.


In America, the Chicago School of architecture was an early convert to terracotta. The architect Louis Sullivan (1856-1924), for instance, was noted for his elaborate glazed terracotta decorations, that would have been extremely difficult to produce in any other medium. Fired clay was also used by Chicago designers Daniel Hudson Burnham (1846-1912) and John Root (1850-91) in the curtain walls of their Reliance Building (1895), and by William Le Baron Jenney who pioneered its use in skyscrapers as a way of reducing the risk of fire.

The Venus of Dolni Vestonice (c.26,000 BCE)


The Czech Venus of Dolni Vestonice (Vestonicka Venuse) is the oldest surviving item of ceramic art in the world. Roughly 4.5 inches tall and 1.7 inches wide, it was made from local clay, combined with powdered bone and baked in an earthen oven at about 700°C. One of many Venus figurines mostly sculpted during the Gravettian period of Paleolithic culture, it was discovered at a Stone Age settlement in the Moravian basin, near Brno, in the Czech Republic. It now resides in the Vienna Natural History Museum.


The Thinker of Cernavoda (5000 BCE)


One of the greatest sculptures of early art, The Thinker of Cernavoda (Ganditorul) was found in 1956 - along with a similar (female) figurine, known as The Sitting Woman of Cernavoda, amid the remains of a prehistoric settlement near Cernavoda in Romania. Its unique character and name derived from its extraordinary "thinking" pose, quite unlike the usual shape of other figures. It is dark red/brown in color, about 4.5 inches in height and is made from terracotta. It was created during the Hamangia culture (5250-4500 BCE) centered on Dobruja, between the River Danube and the Black Sea. The sculpture is completely lacking in the sort of ornamentation which is usually seen in ceramic works from the Hamangia culture. It resides in the National Museum of Romanian History, Bucharest.

The Chinese Terracotta Army Warriors (246-208 BCE)


One of the greatest works in the history of sculpture, the set of fired clay figures known as the Chinese Terracotta Army - made during the short period of Qin Dynasty art (221-206 BCE) - consists of 8,000 clay warriors and horses which were unearthed in 1974 adjacent to the tomb of the First Qin Emperor, Qin Shi Huangdi, in Shaanxi province, China. According to the curators of the tomb, there are many thousands of additional figures still to be uncovered. The figures were commissioned by the Emperor after he became Emperor in 247 BCE. Work started in about 246 BCE and is estimated to have taken almost 40 years to complete, using 700,000 workers. The role of the army was to serve the Emperor in the afterlife.